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Giovanni Battista Tiepolo The Finding of Moses (nn03) oil painting


The Finding of Moses (nn03)
Painting ID::  23507
Giovanni Battista Tiepolo
The Finding of Moses (nn03)
c 1730 Oil on canvas 202 x 342 cm 79 x 134 in National Gallery of Scotland Edinburgh

   
   
     

Giovanni Battista Tiepolo The Immaculate Conception oil painting


The Immaculate Conception
Painting ID::  28139
Giovanni Battista Tiepolo
The Immaculate Conception
mk61 1767-1769 Oil on canvas 279x152cm

   
   
     

Giovanni Battista Tiepolo The Triumph of Aurelian oil painting


The Triumph of Aurelian
Painting ID::  28476
Giovanni Battista Tiepolo
The Triumph of Aurelian
mk60 Oil on canvas 215x127"

   
   
     

Giovanni Battista Tiepolo Queen Zenbia before Emperor Aurelian oil painting


Queen Zenbia before Emperor Aurelian
Painting ID::  28685
Giovanni Battista Tiepolo
Queen Zenbia before Emperor Aurelian
mk61 c.1717 Oil on canvas 250x500cm

   
   
     

Giovanni Battista Tiepolo Erection of a Statue to an Emperor oil painting


Erection of a Statue to an Emperor
Painting ID::  29986
Giovanni Battista Tiepolo
Erection of a Statue to an Emperor
mk67 Oil on cavnas 163 7/8x68 1/4in Uffizi,Gallery

   
   
     

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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     | Raffaello | llya Yefimovich Repin | Agnolo Gaddi |


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